After her second efficiency — Ms. Teuscher crammed in for an injured Gillian Murphy — she had extra management over her feelings. However Kevin McKenzie, Ballet Theater’s inventive director, didn’t. “He informed me, ‘The primary present you cried,’” she recalled. “‘The second present you made me cry.’”
Ms. Teuscher is the entire package deal, a mix of astonishing method, grandeur and ease. She doesn’t present you ways she’s dancing a task; slightly, she embodies it with a pure vivacity of breathtaking coordination and stylish power. After he watched Ms. Teuscher carry out in “Swan Lake,” Mr. McKenzie was elated.
“It’s a uncommon fowl — no pun meant — that may take a ballet like that with the technical calls for and expectations and all of it and subjugate the method to the dramatic via-line after which ship the method like she’s reciting poetry,” he stated. “There’s no obvious effort.”
As Mr. McKenzie sees it, Ms. Teuscher is a throwback to the Nineteen Fifties and Nineteen Sixties, an period when dancers might not have had the technical functionality that they do as we speak however might “invoke and elicit a response from the observer that resonated as the reality. It feels just like the pendulum is swinging again. Devon may be the image of that.”
Ms. Teuscher started dancing round 9 or 10; she wasn’t fitted to sports activities, however her mother and father knew she wanted a cause to maneuver. Ballet appeared to be a pure match. She first educated with Deanna Doty in Champaign-Urbana, Unwell.; when her household moved to Burlington, Vt., she started to review underneath Alexander Nagiba, who taught her male variations.
A pure jumper and…